Friday, October 15, 2010
I thought I would also share this. I created it after my first semester. I was able to take my study and put it into some chapters in a book that my husband and I published. Digital Sculpting in Mudbox:Essential Tools and Techniques for Artists.
Podcasts
I don't know if I have mentioned that I have two podcasts that I create. One is a spiritual podcast another is on Art and Technology. Often they are a reflection of my study. For example,
All of the podcasts in the Art and Technology podcasts reflect the first two semesters of my study. I hope to keep those going, especially since this work is something that I want to continue to do.
I was adding ritual to my practicum. For me this was a religious ritual as well as other things. So I used Taize prayer. I was inspired by this to interview Brother David in Taize France.
On my bib I had the books Haiku - The Sacred Art: A Spiritual Practice in Three Lines
--from SkyLight Paths Publishing (2010)
and Sacred Attention: A Spiritual Practice For Finding God in the Moment
-- from SkyLight Paths Publishing (2007) So this is a podcast interview with Author Margarette McGee
And we have a regular guest on the Creative Christian podcast Dr. Suz who works with people and their creativity. So we talked about my practicum and Going outside my box.
The grief of losing my mom, last year and after my first Goddard residency still has a lingering affect on both my work, writing and study. This podcast with Dr. Haugk and the Stephen Ministries really talks about my walk through it.
I'm sure there are more. If you want to listen to all of them or look through the list. An entire list of the Inspirational ones can be found on my God's Word website. I can't believe I have done 80 podcasts! I recorded 81 this morning from a man in Budapest. And the Art and Technology podcasts can be found on the Digitalsculpting.net website that we created for the book that my husband and I wrote.
All of the podcasts in the Art and Technology podcasts reflect the first two semesters of my study. I hope to keep those going, especially since this work is something that I want to continue to do.
I was adding ritual to my practicum. For me this was a religious ritual as well as other things. So I used Taize prayer. I was inspired by this to interview Brother David in Taize France.
On my bib I had the books Haiku - The Sacred Art: A Spiritual Practice in Three Lines
--from SkyLight Paths Publishing (2010)
and Sacred Attention: A Spiritual Practice For Finding God in the Moment
-- from SkyLight Paths Publishing (2007) So this is a podcast interview with Author Margarette McGee
And we have a regular guest on the Creative Christian podcast Dr. Suz who works with people and their creativity. So we talked about my practicum and Going outside my box.
The grief of losing my mom, last year and after my first Goddard residency still has a lingering affect on both my work, writing and study. This podcast with Dr. Haugk and the Stephen Ministries really talks about my walk through it.
I'm sure there are more. If you want to listen to all of them or look through the list. An entire list of the Inspirational ones can be found on my God's Word website. I can't believe I have done 80 podcasts! I recorded 81 this morning from a man in Budapest. And the Art and Technology podcasts can be found on the Digitalsculpting.net website that we created for the book that my husband and I wrote.
Packet 4 of 5 G3!
Packet 4 of the 5 in my G3 semester is not complete. Much of it is actually posted on this blog. I'm almost through with my practicum and I know in a few weeks I'll need to report on this. Until just days ago it all felt so disjointed. What was all of this about? How did it fit into the big picture? Actually the "Creative Vertigo" did help me figure that out.
I like to add my next packet plans, to the end of each of my letters to my adviser. Probably for my own self direction, maybe also accountability. I have so much I want to do, but really three weeks is little time to do it in. I can't believe this semester is almost over.
Still want to document the practicum project. My next few weeks are really busy in the studio doing non school stuff. I'm speaking again at The Children's Book Writers and Illustrators meeting on Marketing in the Arts. I have much to tweak on the slide show. It must be done before the end of the week because I plan on attending the CS Lewis writers workshop and I have so much to do for that. Plus I'm writing an article on digital sculpting, editing podcasts etc.
I like to add my next packet plans, to the end of each of my letters to my adviser. Probably for my own self direction, maybe also accountability. I have so much I want to do, but really three weeks is little time to do it in. I can't believe this semester is almost over.
Still want to document the practicum project. My next few weeks are really busy in the studio doing non school stuff. I'm speaking again at The Children's Book Writers and Illustrators meeting on Marketing in the Arts. I have much to tweak on the slide show. It must be done before the end of the week because I plan on attending the CS Lewis writers workshop and I have so much to do for that. Plus I'm writing an article on digital sculpting, editing podcasts etc.
Can you make sickness a study?
I suffered terribly from Vertigo this past packet. I wondered if I would get anything done. Can you make sickness part of your study? Here are some thoughts.
Recently I had experienced the incredibly annoying and quite scary concept of Vertigo. It is described as “the feeling of motion while one is stationary.” Mine started while I was sleeping and rolled over in bed. I woke up terrified that something was happening and my eyes just kept moving back and forth and back and forth. I wanted to scream, instead… I sat perfectly still and waited. It didn’t pass; it did however lesson. Over the days my movements became slower, as if I was doing some form off ritualistic Tai chi. I bent down with head up and reached for things without looking at them, but that was on good days. On the bad days I stayed absolutely, perfectly still.
I am by nature a multitasker. I do multiple things at the same time and if you get to know me you will realize that… I get a quite a lot accomplished. In the past I have tried to meditate, and I do feel that sometimes there is not just a monkey mind, but there is an entire zoo up in my brain. Still, I have managed to focus on my breathing and the “be here now” sort of sense. I like focusing on my breathing because, I never have done it correctly and sometimes I actually stop breathing. I’m not thinking about it, I just forget. It is when the sigh comes out and my family says, “Stop that.” Then I realize what I was doing. Ok, maybe I have pent up chi or vibrate at a higher level than I would like to think.
The interesting thing is that I have designated four months to something that I am calling self and sacred. Trying to be aware, to create artwork and things that would allow me space to focus on these areas. Ritual you might say, prayer and meditation. I have also allowed myself to experience a strong connection to my ancestors, mostly because I have recently lost my mom and am still trying to figure out my place in the world now that the dynamics of life have shifted. And I am keenly aware of the ripples that we make in life and how they affect each other, even if we do not know it. For example, the other day my daughter and I created a podcast on creativity and jealousy with Doctor Suz. My daughter said that in her childhood when ever she was creative others would simply say, “Of course you are, your mom is an artist.” And this made her feel like she never created anything on her own, it was not hers. She felt robbed by association. I was appalled that this had happened; it has been nearly 20 years ago. I am grateful that it came out, even if it was amongst our listeners on our podcast. I am thankful that she worked with that and could turn it into something positive. She is an incredibly talented artist, photographer and writer; and she has her own artistic vision. This is just an example of the ripples that one life plays on the other.
Why vertigo? In a time when I am seeking balance, when I have wanted to slow down, I have had such a difficult time doing so because of having to be a caregiver to an elderly father-in-law, rushing to hospitals, and emergencies and dialysis, trying to encourage a father who has just lost his wife. And being a wife and learning to be a mom of adult children where I have to keep reminding myself, “STEP AWAY FROM THE GROWN CHILDREN!”
Balance.
In another business endeavor, these last few weeks I had the opportunity to let go of something. Funny I had not realized that I was holding on to it until I made the effort to let it go. I also didn’t realize how much it was zapping me.
So I wonder…Did I not realize that things were spinning? Did my insides have to spin to see this, and even if I am seeing it, what do I do. Sit on the end of my metaphorical bed and go with it and wait.
Wait for children to mature and be safe. Wait for my passing through grief, wait for care giving to turn, once again, into mourning. Wait.
Maybe it is about embracing and appreciating the balance or maybe even the imbalance
Within my study, I have searched for voice that is both artistic and written. I have traveled through different types of writing in search of documentation of lives, and generations and affects that we have one upon the other. I have changed from memoir to third person to an entirely made up girl who is a conglomeration of everyone. It has been freeing; it has been liberating. I feel I have learned to sing a song in another language, and I understand the words and can sing it with passion.
I traveled back and forth from my traditional studio to the digital studio; which was again about balance. First this was prompted by the inability to use my right hand because of injury and then surgery. Within the virtual world, I stumbled and wavered and tried to find my place. I retrained my hands to work with the temporary disability and found that the new virtual world I had explored had many new opportunities to offer me. But interestingly enough, digital art is created in a world where there are no walls, or floors or focus.
I fumbled with fast and gesture, and attempted different things, which would lead to new things and thoughts and connections. The instability of the traditional material forced me in new directions. Coming full circle I realize what I had already known. What fuels me as an artist as a creator is passion and emotion. Perhaps it does all artists, but I’m tied to the interpersonal connection to others through my art. The art that I fumbled with that seemed to have more difficulties with was because that element was missing. And that is why the family altar worked so well. The passion of the piece, the connection to other individuals, the personalness of it was there. That is what I find when I create my traditional portrait posthumous sculpture, when I help others grieve through the loss of a loved one. It is the most honoring thing for me to do for another, and it gives me such great pleasure. I do feel that it is somehow bound up with my creativity, fused there and I’m not sure I can create in any other way. Posthumous sculptures are pieces that are heavy with empathy and the need to give life a meaning. I’m still doing that through this practicum, through this study. I have enjoyed the exploration, but feel it is important to get back to that element.
Even with my struggles of “doing Goldsworthy,” I come round to the essence of my self that has been marked in this sacred space, this pond this yard, this oasis. I come full circle sitting in wicker chairs given to me through the death of friends I find my connections to my canvas, my art, my voice and the sacred.
I shall now take a deep and refreshing breath in and out while sitting in my sacred yard. Focus on my self, my breath, my love for others and this place. Give thanks and mark it with haiku.
Artistic Vertigo
Recently I had experienced the incredibly annoying and quite scary concept of Vertigo. It is described as “the feeling of motion while one is stationary.” Mine started while I was sleeping and rolled over in bed. I woke up terrified that something was happening and my eyes just kept moving back and forth and back and forth. I wanted to scream, instead… I sat perfectly still and waited. It didn’t pass; it did however lesson. Over the days my movements became slower, as if I was doing some form off ritualistic Tai chi. I bent down with head up and reached for things without looking at them, but that was on good days. On the bad days I stayed absolutely, perfectly still.
I am by nature a multitasker. I do multiple things at the same time and if you get to know me you will realize that… I get a quite a lot accomplished. In the past I have tried to meditate, and I do feel that sometimes there is not just a monkey mind, but there is an entire zoo up in my brain. Still, I have managed to focus on my breathing and the “be here now” sort of sense. I like focusing on my breathing because, I never have done it correctly and sometimes I actually stop breathing. I’m not thinking about it, I just forget. It is when the sigh comes out and my family says, “Stop that.” Then I realize what I was doing. Ok, maybe I have pent up chi or vibrate at a higher level than I would like to think.
The interesting thing is that I have designated four months to something that I am calling self and sacred. Trying to be aware, to create artwork and things that would allow me space to focus on these areas. Ritual you might say, prayer and meditation. I have also allowed myself to experience a strong connection to my ancestors, mostly because I have recently lost my mom and am still trying to figure out my place in the world now that the dynamics of life have shifted. And I am keenly aware of the ripples that we make in life and how they affect each other, even if we do not know it. For example, the other day my daughter and I created a podcast on creativity and jealousy with Doctor Suz. My daughter said that in her childhood when ever she was creative others would simply say, “Of course you are, your mom is an artist.” And this made her feel like she never created anything on her own, it was not hers. She felt robbed by association. I was appalled that this had happened; it has been nearly 20 years ago. I am grateful that it came out, even if it was amongst our listeners on our podcast. I am thankful that she worked with that and could turn it into something positive. She is an incredibly talented artist, photographer and writer; and she has her own artistic vision. This is just an example of the ripples that one life plays on the other.
Why vertigo? In a time when I am seeking balance, when I have wanted to slow down, I have had such a difficult time doing so because of having to be a caregiver to an elderly father-in-law, rushing to hospitals, and emergencies and dialysis, trying to encourage a father who has just lost his wife. And being a wife and learning to be a mom of adult children where I have to keep reminding myself, “STEP AWAY FROM THE GROWN CHILDREN!”
Balance.
In another business endeavor, these last few weeks I had the opportunity to let go of something. Funny I had not realized that I was holding on to it until I made the effort to let it go. I also didn’t realize how much it was zapping me.
So I wonder…Did I not realize that things were spinning? Did my insides have to spin to see this, and even if I am seeing it, what do I do. Sit on the end of my metaphorical bed and go with it and wait.
Wait for children to mature and be safe. Wait for my passing through grief, wait for care giving to turn, once again, into mourning. Wait.
Maybe it is about embracing and appreciating the balance or maybe even the imbalance
Within my study, I have searched for voice that is both artistic and written. I have traveled through different types of writing in search of documentation of lives, and generations and affects that we have one upon the other. I have changed from memoir to third person to an entirely made up girl who is a conglomeration of everyone. It has been freeing; it has been liberating. I feel I have learned to sing a song in another language, and I understand the words and can sing it with passion.
I traveled back and forth from my traditional studio to the digital studio; which was again about balance. First this was prompted by the inability to use my right hand because of injury and then surgery. Within the virtual world, I stumbled and wavered and tried to find my place. I retrained my hands to work with the temporary disability and found that the new virtual world I had explored had many new opportunities to offer me. But interestingly enough, digital art is created in a world where there are no walls, or floors or focus.
I fumbled with fast and gesture, and attempted different things, which would lead to new things and thoughts and connections. The instability of the traditional material forced me in new directions. Coming full circle I realize what I had already known. What fuels me as an artist as a creator is passion and emotion. Perhaps it does all artists, but I’m tied to the interpersonal connection to others through my art. The art that I fumbled with that seemed to have more difficulties with was because that element was missing. And that is why the family altar worked so well. The passion of the piece, the connection to other individuals, the personalness of it was there. That is what I find when I create my traditional portrait posthumous sculpture, when I help others grieve through the loss of a loved one. It is the most honoring thing for me to do for another, and it gives me such great pleasure. I do feel that it is somehow bound up with my creativity, fused there and I’m not sure I can create in any other way. Posthumous sculptures are pieces that are heavy with empathy and the need to give life a meaning. I’m still doing that through this practicum, through this study. I have enjoyed the exploration, but feel it is important to get back to that element.
Even with my struggles of “doing Goldsworthy,” I come round to the essence of my self that has been marked in this sacred space, this pond this yard, this oasis. I come full circle sitting in wicker chairs given to me through the death of friends I find my connections to my canvas, my art, my voice and the sacred.
I shall now take a deep and refreshing breath in and out while sitting in my sacred yard. Focus on my self, my breath, my love for others and this place. Give thanks and mark it with haiku.
More packet work?
I just felt like reflecting on my Goldsworthy- see post below.
Poems by Bridgette Mongeon
Slithering branches of Dornax
dance on the breeze — arms reaching
conducting mother nature
❦
One bird
chooses stream over the pond
and finds a worm
❦
Birds making choices
between bird bath or stream
are perched in nearby trees
❦
Birds,
contemplating seed scattered below
swing on wires
❦
Rock, in middle of deep birdbath
allows shallow fluttering
for visiting birds
❦
Thick flower bed filled with variety
all reach for the same goal
and reflect beauty.
❦
Four Potato vines
considers the outdoor lanterns
their personal trellis
❦
A trail of hearts
climbs high
seeking the source
❦
Four wires drape low
bringing connection to studio
and balance to birds
❦
moving water
dances with light
❦
trying to reach its home
near the spinning porch ceiling fan
a mud dubber is dizzy.
❦
after watching birds play
in the water filled wheelbarrow
a bird bath is placed.
❦
A daughter asks a mother
for a cutting
to make hearts climb her tree.
❦
I write on the porch
sitting in the wicker furniture of a friend
acquired after death
❦
birds flutter
in the glistening trickle of water
at the edge of the water fall.
❦
Even though I am 50
when I greet my fish in the pond
I do it as Ernie taught my daughter on Sesame Street,
“perch my libs and repeat mo mo mo mo mo.”
❦
stream trickles and glubs as it passes water fall
dog rests on porch periodically nibbling her leg
leaves fall with a crunch
trickle of water flow in the stream drowns out the revving motor of a passing truck
a city rooster continues to crow
ceiling fan hums and periodically clicks in rhythm
a bird gives a lonesome whistle... then again
city street noises try to encroach
airplane passes
crow calls repeatedly
taco dog barks in house next door
cardinal calls nearby
three squirrels play a game of chase, jumping form tree to tree to tree, causing an avalanche of leaves.
squirrel sprawled on large tree branch flicks tail and chirps
smorgasbord of seed causes a rush of noisy costumers
squirrel contemplates crashing buffet
birds flick dry leaves looking for morsels
red cardinal couple vies for a spot.
blue jay cries from tree, its mate returns the call.
now brave enough to fly to the ground watches as others eat. looks sideways at the food and then begins his own ritual.
masked robber in red cloak prances round -skittish , flies off to the west comes back from the east.
red headed woodpecker searches for food on the tree above, wanting to be a part of the group.
❦
birds bow repeatedly while drinking.
❦
taro leaves that once touched the water
have bite marks
evidence of a turtles meal.
❦
bark on black walnut tree
grows around old chains
once used by a little girls swing
❦
prostrated squirrel
in black walnut tree
watches me type
❦
crisp autumn leaves
exposes those
who try to pass silently
❦
citronella candle
interrupts my senses
and those trying to bite me
❦
a cup of bird see
entertains
a day of guests
❦
sun works with shimmering pond
to create enticing reflections
on my studio porch ceiling
❦
Turtle does yoga
upon the large rock
in the middle of the pond
Poems by Bridgette Mongeon
Slithering branches of Dornax
dance on the breeze — arms reaching
conducting mother nature
❦
One bird
chooses stream over the pond
and finds a worm
❦
Birds making choices
between bird bath or stream
are perched in nearby trees
❦
Birds,
contemplating seed scattered below
swing on wires
❦
Rock, in middle of deep birdbath
allows shallow fluttering
for visiting birds
❦
Thick flower bed filled with variety
all reach for the same goal
and reflect beauty.
❦
Four Potato vines
considers the outdoor lanterns
their personal trellis
❦
A trail of hearts
climbs high
seeking the source
❦
Four wires drape low
bringing connection to studio
and balance to birds
❦
moving water
dances with light
❦
trying to reach its home
near the spinning porch ceiling fan
a mud dubber is dizzy.
❦
after watching birds play
in the water filled wheelbarrow
a bird bath is placed.
❦
A daughter asks a mother
for a cutting
to make hearts climb her tree.
❦
I write on the porch
sitting in the wicker furniture of a friend
acquired after death
❦
birds flutter
in the glistening trickle of water
at the edge of the water fall.
❦
Even though I am 50
when I greet my fish in the pond
I do it as Ernie taught my daughter on Sesame Street,
“perch my libs and repeat mo mo mo mo mo.”
❦
stream trickles and glubs as it passes water fall
dog rests on porch periodically nibbling her leg
leaves fall with a crunch
trickle of water flow in the stream drowns out the revving motor of a passing truck
a city rooster continues to crow
ceiling fan hums and periodically clicks in rhythm
a bird gives a lonesome whistle... then again
city street noises try to encroach
airplane passes
crow calls repeatedly
taco dog barks in house next door
cardinal calls nearby
three squirrels play a game of chase, jumping form tree to tree to tree, causing an avalanche of leaves.
squirrel sprawled on large tree branch flicks tail and chirps
smorgasbord of seed causes a rush of noisy costumers
squirrel contemplates crashing buffet
birds flick dry leaves looking for morsels
red cardinal couple vies for a spot.
blue jay cries from tree, its mate returns the call.
now brave enough to fly to the ground watches as others eat. looks sideways at the food and then begins his own ritual.
masked robber in red cloak prances round -skittish , flies off to the west comes back from the east.
red headed woodpecker searches for food on the tree above, wanting to be a part of the group.
❦
birds bow repeatedly while drinking.
❦
taro leaves that once touched the water
have bite marks
evidence of a turtles meal.
❦
bark on black walnut tree
grows around old chains
once used by a little girls swing
❦
prostrated squirrel
in black walnut tree
watches me type
❦
crisp autumn leaves
exposes those
who try to pass silently
❦
citronella candle
interrupts my senses
and those trying to bite me
❦
a cup of bird see
entertains
a day of guests
❦
sun works with shimmering pond
to create enticing reflections
on my studio porch ceiling
❦
Turtle does yoga
upon the large rock
in the middle of the pond
Trying to Goldsworthy
At times I will post some of my class writings on my blog on my website. Here is one that I did this month.
Trying to Goldsworthy
For many years, I have loved the insightful work of artists and naturalist Andrew Goldsworthy. Goldsworthy creates from nature using branches woven into rock, ice balanced, leaves chained together with thorns that wiggling down a stream, rock changing color and balanced rock. He uses reflection in his creations, natural elements and fights against and works with nature to create. It is the juxtaposition of nature and art or nature in art, or art as nature that calls me to marvel.
I think I have also been influenced by Pamela Callender, a classmate of mine from Goddard. Her work appears rather anonymously on campus. For example The Twig sculpture I found on the trail, I thought of it often when I was working trying to do Goldsworthy. I also loved her braided grass, there was an entire section of a field braided. And these balanced stones pop up everywhere during residency. So, I’m exploring, and attempted some of these adventures on my own. It has been very enlightening.
My first attempt to work with nature was building a nest. I gathered my branches and twigs and sliced up my arms with bamboo shoots hauling them indoors, dumping them on the floor where little bug critters scattered. I liked collecting the items. It made me think of my yard in a different way. Not just as plants, but as material. However, I soon came to realize a very important element of this nature gathering and building, especially as it pertains to nests. Birds gather their materials in the cool of spring. I was building my nest in the middle of a Texas summer with 101 temperatures. Sure I brought all of the materials into a cool, air conditioned room, which the birds don’t have access to, but it was already too late. Heat exhaustion set in, and my nest building was put off a couple of days.
One begins to improvise when trying to create only with nature. Mud is close to clay, and it is not unusual that I, as a sculptor, would turn to it. It was a necessary glue for my nest. My finished nest lacks the luster and intricacy of the blue jay nest I found this spring, when interestingly enough, I was cutting back bamboo. But, I managed to get some a semblance of a large nest.
Prior to building it, I had thought of building several nests of different sizes. Large birdie condo’s that I would hang from… bamboo. After nursing my cut up arms, and heat exhaustion, I smoothed my own ruffled feathers and decided—one was enough.
My next project was also going to entail bamboo. Mostly because it needed thinning again. I had envisioned a large cornucopia slithering tube structure that people would walk up to and peer into and marvel. They would see it from afar, like Goldsworthy art and state, “An artist must live here.” They would be forced to stop and to explore the design. O.K. Maybe I was a little influenced by the “Big Bambu You Can’t, You Won’t, You Don’t Stop” by Mike and Doug Starn and Rock climbers using 5,000 pieces of bamboo. It is a project at the Metropolitan Museum of Art. I had seen the work on Sunday Morning with Charles Osgood.
I had made the decision that using metal to secure the armature was certainly acceptable. (Goldsworthy only uses natural elements.) I appeased myself with the thought that this was bamboo, and I was more of a bonsai artist than a Goldsworthy and twisted the bamboo together.
Once again, the bamboo cut up my arms and ants and pollen fell on my head, causing me to sneeze every few minutes. It was cooler outside, but our Texas October and the pollen that it brings, causes havoc with my allergies. Still, I was committed. I created circles of bamboo of different shapes with longer bits of bamboo and grass at one end. I envisioned this circling around the cornucopia in an intricate manner enticing onlookers and making them marvel at my skills. As hard as I tried, it wasn’t working. I began to think that Goldsworthy must have some type of natural guru thing going to get his material looking so… naturally polished. “More armature.” I exclaimed trucking back to the bamboo for bigger pieces, and more ants and pollen in my hair. After hours of stripping and twinning and weaving bamboo, I had what I thought appeared to be an absolutely glorious, incredible looking —mess. Maybe creating out of nature is just not my thing. Before I could let go of the idea, I had thought about taking my large rings of woven bamboo and chaining them together. Perhaps I would hang them from a tree. But then I thought… I’m pushing here.. I threw the piece aside and went on to another idea.
I had wanted to do something in the pond. I loved how Goldsworthy floated branches on water and then set what looked like red berries in the middle of the branches. This thought intrigued me along with the idea of perhaps gluing my red and orange canna leaves to a rock. I read that Goldsworthy used spit, but I had hoped I could use pond water. I abandoned both ideas as I was not sure what my two turtles would do with these creative pieces of art. Any berries or leaves that I brought to the pond could be poisonous. I might create something nice and at the same time murder my reptile friends in the process. Even if the plants were not poisonous, my 10” turtle is inquisitive and hungry and I doubt I could create anything without her poking her head up in the middle. Ah, maybe I have stumbled upon something cocreating, improvisational art with a turtle. If I create anything for my pond, it will have to be something practical like a floating turtle bathing platform.
Goldsworthy also dug small hole and lined them with things. I entertained this idea for just a short second as I was sure that I or my husband or one of our dogs would fall into the hole twist an ankle and end up in the emergency room. I wondered if anyone ever twisted an ankle in a Goldsworthy hole long after he left and then cussed saying, “Who the heck put that there?”
Then I thought, “banana leaves.” Not something I thought of on my own, an idea that stemmed from a Goldsworthy book. I though I’ll hang them and weave things in between them! Oh, certainly this idea would be marvelous and though the artwork that I would labor for hours on would only be temporary, that was the point of this exploration. I was trying to move away from my traditional bronze work for a time to work things that were opposite—not permanent. So, I cut a banana leaves and then another and then another and in hindsight I probably should not have cut them until I absolutely needed them. I thought I heard Goldsworthy fussing at me. The first leave tore terribly, and I adjusted my idea. A banana leaf hanging from something, but what… Oh yes, one of the million of pieces of bamboo that I cut and were now piled knee high in my yard. I felt vindicated. I was on a roll. Later I added dornax leaves, potato vines, and other elements to this hanging art. You know, I did enjoy creating this way, even though I was sneezing terribly. I liked looking at the textures and color of my garden and combining them in a way that I had not thought of. I held the banana leaf for a very long time, just feeling it’s weight, looking at the color, and oh yes, washing off the bird poo. I also thought it was marvelous that the bougainvillea plant on the side of my house that I have been impaled on more than once, now had a purpose. I had plenty of thorns to secure lots of natural pieces.
I have decided to appreciate Goldsworthy from afar. Especially after my experiences with nature. (I feel I have a part of me that is very sad for my inability to coexist and create with my nature.) I know his descriptions of his artwork usually talk about the weather or the cold or how long it took, or that it fell down and he started over. I give him credit for his tenacity. You know, I do remember reading once that Goldsworthy peed on ice to get it to stick. I think that would be going a little too far, or maybe it would just be harder for a woman than a man, and besides, I would be hard pressed to find ice in Houston at any time of the year. I can only determine that he really enjoys creating in nature to endure and persevere.
One of my biggest distractions of trying to Goldsworthy was my need to do other things in the yard. Clip this plant, move this piece of garden art or fix this part of the pond. I realize that my oasis that I have created out of my yard is my Goldsworthy. The weaving of textures, of height, and color, the exploration of sound by bringing in a waterfall and stream, even the live creatures that now live here. I and my canvas have even endured the natural hardships. I look at the 15 foot tall bird of paradise that hangs over- dead from the very long freeze we had last winter. But I’m delighted with the babies at her dying feet. My canvas will change a bit, but we will also preserver.
I have decided my garden is my canvas, it is my successful Goldsworthy.
I have enjoyed my exploration, and am glad that my turtles are alive. I’m pleased to have washed the pollen out of my hair and the critters off my skin. Not that I mind either, it is just that if I am going to do that I would rather work on my yard and canvas. A lasting Mongeon creation that keeps on giving. I will leave my nature interaction for my garden, the one that I travel through each day and marvel at, as I am on my way to the studio to create!
______________________________________________________________________________
Bridgette Mongeon-Sculptor, Writer and Speaker
Bridgette Mongeon is a sculptor, writer and educator as well as a public speaker. Her blog can be found at http://www.creativesculpture.com.
She is also the owner and creator of the God’s Word Collectible Sculpture series
Follow the artists on twitter twitter.com/Sculptorwriter twitter.com/creategodsword
Facebook http://www.facebook.com/bridgette.mongeon
Listen to The Creative Christian Podcast or the Inspiration/Generation Podcast Click on Podcast Host Bios for a listing of all podcasts
Listen to the Art and Technology Podcast
Tuesday, October 05, 2010
Mid semester review
Forgot about this for the new G1's. There is a mid semester review that is coming out from the school. A link will come into your e mail account. I linked my Goddard account so it comes into my creativesculpture website e-mail. So when sent to the Google applications to fill in these forms I get confused. When the link sends you to google applications just use your first.last name and your password at Goddard. This is confusing if you have a google account other than what is at Goddard. I'm posting this reminder so that if I forget, again, I can refer to this post in the future.
They are basic questions. Are you able to send your packets in on time, are you able to receive them on time etc. I did mention one thing for the question
Do you feel well-served by the program? What do you particularly like about the program and/or feel needs improvement?
Do you have any issues or concerns that need the assistance of the Program Director? If so, what are they?
I do wish that we, as students, had one person we could go to that would be there throughout our time at Goddard. Someone who is kind of a academic counselor. Trying to work with each individual advisor who does not have the overall picture is frustrating.
I'm a G3 but really wish there was one person who could help me put everything together. I have one more semester. How can I be sure I am utilizing that last semester before my portfolio to the best of my advantage? How can I be sure that no one is going to come to me in my 4th semester and say... You need more semesters? I feel I have and am meeting the degree criteria but it would be good to bounce things of off someone. I have made arrangements to talk to Jackie before arriving at residency. Here I am a G3 and am wondering does Jackie act as an academic advisor for the entire program? Though I love the structure of Goddard and did of Vermont College the one thing Vermont College had that I have not found at Goddard is this person who is aware of your entire study. Often I feel like I am floundering. Perhaps they are trying to teach me to be all grown up and figure it out on my own. Still... I feel I need some feedback.
So that is my two cents on that topic.
They are basic questions. Are you able to send your packets in on time, are you able to receive them on time etc. I did mention one thing for the question
Do you feel well-served by the program? What do you particularly like about the program and/or feel needs improvement?
Do you have any issues or concerns that need the assistance of the Program Director? If so, what are they?
I do wish that we, as students, had one person we could go to that would be there throughout our time at Goddard. Someone who is kind of a academic counselor. Trying to work with each individual advisor who does not have the overall picture is frustrating.
I'm a G3 but really wish there was one person who could help me put everything together. I have one more semester. How can I be sure I am utilizing that last semester before my portfolio to the best of my advantage? How can I be sure that no one is going to come to me in my 4th semester and say... You need more semesters? I feel I have and am meeting the degree criteria but it would be good to bounce things of off someone. I have made arrangements to talk to Jackie before arriving at residency. Here I am a G3 and am wondering does Jackie act as an academic advisor for the entire program? Though I love the structure of Goddard and did of Vermont College the one thing Vermont College had that I have not found at Goddard is this person who is aware of your entire study. Often I feel like I am floundering. Perhaps they are trying to teach me to be all grown up and figure it out on my own. Still... I feel I need some feedback.
So that is my two cents on that topic.
Sent this information out to G1's- Mid semester.
The unofficial welcoming committee is checking in with each of you. I hope I have everyone’s e-mail and have not missed anyone.
Packet 3 is off and we are more than ½ way to residency. The time, I am sure, will fly by and we will soon be in residency again. Then you will be G2’s and watching, with empathy, the "deer in the headlight look" on the faces of the incoming G’1s.
I am sure some of you have compared notes with packets and advisors and have found that each is very different. I hope you have enjoyed your advisor and your semester. For me there was still some floundering in my G1 as I was wondering some things about the end of the semester and the up and coming residency.
I thought I would address some of those questions.
YOUR EVALUATIONS
Notices will come out or you should pay attention to not only packet dates but also doing your evaluation on your SIS. This is just like you filled out your study plan for this semester and study plan as a whole. After your last packet you need to evaluate your semester. Then your advisor will evaluate your semester as well. Key here is once again, look at the degree criteria and be sure that you include that within your evaluation. In the end that is what is looked at, meeting the degree criteria. ( think of degree criteria when you are planning your up and coming semesters.) I have had some advisors ask for information in the last packet that will help them fill out the evaluation of you. That really depends on the advisor.
CHOOSE YOUR ADVISER
Another thing to note is that you will be asked to pick your top three choices for advisors. This is hard for G1’s because many don’t really “know” the other advisors. So this is a good time to review the advisors. A list will come out of who is available for the up and coming semester. Here is a link to the faculty- note it is both Port Townsend and Plainfield. http://www.goddard.edu/artsfaculty It also has their bio’s.
I have, in the past, asked for a phone meeting with a potential advisor before residency and filling out this request. Some will oblige.
No guarantees to get what you want, and some don’t pick, wait until residency, and let it be a roll of the dice.
PREPARING A PRESENTATION OR WORKSHOP
Notices will come out for anyone wanting to do presentations workshops etc. Of course you don’t have to create a workshop or presentation. It is, however, open to the student body.
WINTER RESIDENCY
These are my thoughts on winter residency. Travel can be difficult. Come as early as possible. The reason behind this is that if for some reason (weather) your flight is delayed and you cannot get in until Friday there is an extra charge for late registration. So if something happens be sure to call and let them know, though I really don’t know how much they take this into consideration. I have heard people grumble in the past. My best advice is to book the earliest flight possible.
Everything else is as it is with summer, except colder and not as much outdoor activity. We do still have fires outside the music room, though the musicians are all inside. (Hint everyone makes turns at the fire, rotate to keep warm.) Some of my photographs of winter res can be found on my facebook page. http://www.facebook.com/home.php?#!/album.php?aid=2000394&id=119700029
I especially think that the one of the bundled student in the chair is pertinent to the outdoor experience around the fire.
Some people still planned outdoor art. One person made a wall of snow and projected images on it. Anyone into building snow art? I might be tempted. Bring your mittens or gloves. And of course, art still appears around campus, so bring what you would like to show.
Dorms seem to be well-heated matter of fact some rooms are very hot! So dress in layers. There are often warnings about winter residency and sickness. I would advise doubling up on vitamins, bring meds and wash hands often. Last winter they advised bowing instead of hugging and shaking hands. Protect yourself and your health. We know how very stimulating and exciting residency can be… Stay healthy.
I’m a total nerd and bring a traveling humidifier for my room. Yes, I know, but it helps me to be able to sleep. Remember I’m from Houston were 80% humidity is the norm. Another hint is to put a wet towel near the heater. I’ll post more on my blog http://www.perpetuallearner.blogspot.com as I hear it. I am surprised that I am still finding gems of information about different G experiences, that I post. For an example the helpful hint for G3’s that I just posted.
PREPARING FOR RESIDENCY
Some people like to think about their study plan and formulate their study plan and potential bib before residency. I know I have done this and it makes residency so much smoother. Though your plan may change as you are working through your residency. It is a great jumping off point. This is something you can work on in between last packet and residency. All in all your g2 residency will be so less hectic.
NEXT SEMESTER
Your next semester will mean the G2 report. That means a little extra work. Yes, I know how can your write a report on an experience that you are just beginning to have? We all asked the same question. But as a G2 you might check the addendum to see what a G2 report entails. Some people might also be thinking about what preparations they need to make if their G3 practicum means doing preliminary work.
WELCOMING COMMITTEE
You knew this was coming. You are going back as G’2s There will be new people coming in that will be as uncertain as you were coming in. Do you want to help me welcome them? Being on the welcoming committee is really not a huge commitment. IF you can arrive early, before 5 on Thursday and meet us in the lobby between registration and the cafeteria for snacks and to chat that is great. I also ask that if newcomers need help getting to their dorms, or directions or whatever that committee members help out. It is really just being helpful and friendly, which I am sure everyone would be doing already. The only difference is that I would like to put your picture on the unofficial welcoming committee. That way new people can have a face and get to know someone. So, if you would like to be a part, just send me your name and a picture Bridgette@creativesculpture.com If you know your dorm room ( some people have the same dorm) let me have that as well. Then I’ll put that on the list I pass out to the new G1’s. If you can get this to me at the semester end it gives me enough time to compile a list. Oh yes, and if you happened to live in the Vermont area, I am searching for someone to help purchase snacks and goodies. You will be reimbursed. Let me know if you can do this.
I’m still not allowed to have the new G1 list before residency, though I am trying to make that happen. I think it is important to have contact with a student before they come to give them information and ground them in the experience. . Jackie will send out a notice to G1‘s before they come letting them know about our gathering between 3-5. I also try to group the G1’s for dinner with a couple of welcoming committee people at the large tables in the middle of the cafeteria—just as we did for ya’ll. Some of us will also go to their meeting with Jackie in the cottage. Let me know if any of you are interested in participating in that. Anyone not officially joining the welcoming committee, but wanting to come and chat with us and have some free goodies before dinner, please do. That is what we need- upper class men to say hi and talk about their experience.
In the meantime- contact me if you have any other questions or concerns as the semester comes to a close or prior to residency. My e-mail is Bridgette ( the at sign) creativesculpture.com and my phone number is in the directory . I'm also on skype. Have a great rest of the semester and a safe travel to Goddard.
PS if you don’t have the MFAIA addendum and want me to send it to you I can. I have it as a pdf. I think you can get it online at the Goddard website. But I am unsure of where I got it.